You typically then apply fades to individual clips using a dialog that offers gradual and exponential presets or manually drawn curves – but each Process and Effect dialog also includes options to also apply various fades and gains. Just as one example of the depth of the interface, you can now set the default fade types as a global option (wet/dry mix and fade in/out curves). The Plug-In Manager tool also organizes other non-Sony plug-ins under the FX Favorites menu. You can do basic cut and paste / drag and drop editing directly in the window, and more with the toolbars, and then turn to the menus to apply further processing: Insert synthesized sounds, Process clip formats (e.g., depth, EQ, normalize, resample), clean with Tools (noise reduction, click and crackle, restoration), and apply Effects (delay, reverb, pitch). It now also supports viewing and editing the metadata associated with audio files. The Sound Forge Pro interface is deceptively simple, until you dig in to the vast array of toolbars and processing options in the menus.Įach new audio file opens in its own data window, with extensive tools available to view and analyze the sound, including custom colors, channel meters, statistics, and a spectrum analysis window. It also can extract clips directly from audio CD, including looking up information using Gracenote MusicID.Īnd it fully supports working with multichannel audio, including editing down to the sample level.įor working with Vegas or other video editors, Sound Forge Pro supports editing audio with video, importing common video formats, playing audio in sync with video, and exporting with video rendering options. Sound Forge Pro obviously opens and saves audio files in a wide variety of common file formats.
Sony sound forge pro 10 drivers#
Version 10 adds tools from iZotope for higher-quality processing, with MBIT+ Dither for bit-depth conversion (e.g., truncating from 24- to 16-bit), 64-Bit SRC for sample rate conversion (e.g., downsampling from 192 kHz to CD-quality 44.1 kHz), and the Mastering Effects Bundle 2 with six professional audio plug-ins at 64-bit precision, including EQ, reverb, compressor, limiter boost, imager and stereo width, and analog exciter.įor more efficient processing, Sound Forge Pro supports low-latency ASIO drivers for real-time monitoring while recording from sound cards, multitasking to continue editing while background rendering, and a new RAM cache option to reserve memory for media files. Sound Forge Pro supports full-resolution 24-bit audio to capture the subtle nuances of sound, with 32-bit / 64-bit float 192 kHz files, and recording from 24-bit hardware.
Sony sound forge pro 10 trial#
A trial download is available to experience Sound Forge Pro for yourself. The product also includes Sony Noise Reduction 2 for restoring damaged clips, Sony CD Architect 5.2 for professional Red Book Audio CD mastering, and the iZotope Mastering Effects Bundle 2 plug-ins. Sound Forge Pro 10 is available for around $375. Sony also has integrated disc-at-once CD burning into Sound Forge Pro to directly generate Red Book audio premasters for professional replication. It expands editing with event-based editing to work on blocks in a single window, support for musical instrument files, and extensive additional tools and effects. The new version 10 enhances the interface with a more customizable workspace combining floating, dockable, and tabbed windows, and adds interactive tutorials to help get started with editing tasks.
Sony sound forge pro 10 plus#
Sony Sound Forge Pro 10, released in September 2009, continues this legacy as a professional digital audio production suite, including audio recording, editing, processing, and mastering audio files – plus sound design, audio restoration, and CD creation for professional replication. Instead of a collection of tools combined into an integrated suite, Sony has a small family of professional products that run on Windows, featuring Vegas Pro for video, plus two powerful audio tools that are suites in their own right: Sound Forge Pro for audio editing and mastering, and ACID Pro for music creation. And Apple, with its Final Cut Studio expanding from professional editing to digital cinema.Īnd then there’s Sony Creative Software, with a legacy based in audio from the acquisition of Sonic Foundry back in 2003. Or Adobe, with its ever-more-tightly integrated Creative Suite, from imaging to video to the web. What family of video editing tools are you most comfortable with? There’s Avid, with its extensive legacy in broadcast and film.
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